Sign Up - Stay in the loop!

* indicates required

Ludlow Assembly Rooms will use the information you provide on this form to be in touch with you and to provide updates and marketing. Please let us know all the ways you would like to hear from us:

You can change your mind at any time by clicking the unsubscribe link in the footer of any email you receive from us, or by contacting us at marketing@ludlowassemblyrooms.co.uk. We will treat your information with respect. For more information about our privacy practices please visit our website. By clicking below, you agree that we may process your information in accordance with these terms.

We use Mailchimp as our marketing platform. By clicking below to subscribe, you acknowledge that your information will be transferred to Mailchimp for processing. Learn more about Mailchimp's privacy practices.

Wednesday Classical: Beethoven Sonatas & Trio

Wed 10 Feb

Beethoven: Violin Sonata No. 5 in F major, Op. 24, “Spring”

1. Allegro

2. Adagio molto espressivo

3. Scherzo: Allegro molto

4. Rondo: Allegro ma non troppo


Philippe Graffin, Violin

Simon Callaghan, Piano


Beethoven: Cello Sonata No. 3 in A major, Op. 69

1. Allegro, ma non tanto

2. Scherzo: Allegro molto

3. Adagio cantabile 

4. Allegro vivace


Raphael Wallfisch, Cello

Simon Callaghan, Piano


INTERVAL

Beethoven: Piano Trio No. 7 In B flat major, Op.97, “Archduke”

1. Allegro moderato

2. Scherzo: Allegro

3. Andante cantabile ma però con moto

4. Allegretto moderato


Philippe Graffin, Violin

Raphael Wallfisch, Cello

Simon Callaghan, Piano

Philippe Graffin, Violin – www.andrewstrangemusic.com/philippegraffin

Raphael Wallfisch, Cello


Raphael Wallfisch

With a discography of over 70 discs, Raphael Wallfisch is one of the most recorded classical artists in the world. A BBC survey named Wallfisch’s recording of the Dvorak Cello Concerto the best recording of the work in the past 25 years. He is one of the world’s most celebrated cellists, renowned for his curiosity and commitment to exploring and broadening the full range of repertoire for the instrument, and drawing on a rich musical heritage.

Since winning the Cassadó International Competition in Florence at the age of 24, Wallfisch has enjoyed a global career, much loved in his home country where he has forged close relationships with orchestras including the London Symphony, London Philharmonic, Philharmonia, BBC Symphony, BBC Philharmonic, Hallé, BBC NOW, Royal Scottish National, BBC Scottish and Royal Liverpool Philharmonic; and respected around the world, working throughout Europe with the Leipzig Gewandhaus, Konzerthausorchester Berlin, WDR Symphony, RAI Torino, Maggio Musicale Fiorentino, Gulbenkian, Bergen Philharmonic, Gothenburg Symphony, Lahti Symphony and Budapest Festival orchestras, and further afield with the Los Angeles Philharmonic, Minnesota Orchestra, Sydney Symphony, New Zealand Symphony and Singapore Symphony.

​Summer and Autumn 2025 saw Raphael Wallfisch giving performances of the Bliss Concerto with the BBC Concert Orchestra and the English Chamber Orchestra (at the English Music Festival and Snape Maltings Concert Hall), making a studio recording with the BBC Scottish Symphony Orchestra (John McCabe Cello Concerto), and concerts at the Spitalfields Music Festival and Wigmore Hall. Highlights of 2026 and beyond include performances at the Southbank Centre’s Purcell Room and with Orchestra of St John’s and NFM Wroclaw Philharmonic, a Beethoven 250th Anniversary recital and chamber music UK tour, and a series of special new commission projects in celebration of his upcoming 75th Birthday. Wallfisch’s latest releases – of the Henriëtte Bosmans Cello Concertos and Poème, and John McCabe’s Cello Concerto – received great critical acclaim. 


Philippe Graffin

Philippe Graffin’s inquisitive mind has often taken us beyond the confines of the repertoire, reflected in his extensive discography, making headlines with its many rediscoveries and exciting premieres. Whether commissioning a new work, unearthing a hidden manuscript version of a familiar piece, rediscovering a forgotten violin concerto, or collaborating with artists from other fields, Graffin continues to passionately expand the repertoire.
 
2024 saw the release of Rêves, a unique project including the world premiere recording (for AVIE) of two concertos by Ysaÿe that Graffin was instrumental in resurrecting and that he performed with the Royal Liverpool Philharmonic Orchestra and Jean-Jacques Kantorow. 
 
Graduating from the Paris Conservatoire at 16, Philippe Graffin furthered his studies with Joseph Gingold at Indiana University, Bloomington, as well as with Miriam Fried and Philippe Hirschhorn in Holland. Upon hearing him play at the Kreisler competition in Austria, Yehudi Menuhin invited Graffin to make his debut recording under his baton with the Royal Philharmonic Orchestra.
​
Since then, Graffin has performed on over five continents – from the BBC Proms in London to the Chamber Music Society of Lincoln Center, in Tokyo and Johannesburg, with the St Petersburg Philharmonic and Gothenburg Symphony, and with some of the emblematic musical figures of our time.
 
In 2003, he replaced, at short notice, the soloist to perform Rodion Shchedrin’s Concerto Cantabile, with Mstislav Rostropovich conducting. This led to Shchedrin writing another Concerto for Graffin, Concerto Parlando.
​
Graffin has premiered works by composers such as Vytautas Barkauskas, Yves Prin, David Matthews, Peter Fribbins, Philippe Hersant, Nicola Campogrande and Marcelo Nisinman. In 2014, he gave the French premiere of Corigliano’s The Red ViolinConcerto at the Salle Pleyel. Long before it became fashionable, Graffin rediscovered Samuel Coleridge-Taylor’s Violin Concerto, which he made the first recording of in South Africa, and subsequently performed at the BBC Proms. 
Philippe Graffin has since recorded many concertos by British composers, culminating with the Britten and Elgar concertos, the latter in its pre-Kreisler version which was hailed by critics. BBC Record Review (2022) chose it among their three favourite recordings ever made. Subsequently, he gave the centennial performance of the Elgar at the Three Choirs Festival, with the Philharmonia Orchestra and Sir Roger Norrington.
​
Graffin founded the Festival Consonances in St. Nazaire, which he directed for 25 years. He brought this festival to Wigmore Hall in London for a week-long event devoted to the influence of Ysaÿe, and to The Hague with the Residentie Orchestra. He also founded "Ysaÿe's Knokke" in 2017 in the Belgian seaside resort where the composer spent his summers. In 2019, Graffin created "Traces" in Brussels, a festival devoted to the promotion of neglected works, especially from composers whose lives were crushed during the Holocaust.
 
In a quest to bring his music to a broader audience, in 2014 Philippe Graffin created a special project mixing poetry and music around the actor Gerard Depardieu, for concerts at Flagey, Brussels which were broadcast on Belgian television and featured in a documentary. He also wrote a musical tale for children The Hidden Fairy for the actress Marie-Christine Barrault, which they performed together at Wigmore Hall. 
Graffin is featured in several TV broadcasts including "Delius: Composer, Lover, Enigma" for the BBC, "À la recherche de la sonate de Vinteuil" for Arte, "Ysaÿe Is Not Dead" for RTBF 2019, "Ysaÿe’s Secret Concerto” (available on YouTube) and “The Last Musician of Auschwitz” (BBC, 2025). In 2018, he premiered, completed and published a 7th Ysaÿe Solo Sonata. This major discovery is featured on the album Fiddlers Blues, and in the 2020 film “Ysaÿe’s Secret Sonata”. 
Philippe Graffin has made four recordings of Chausson's Poeme, each in a different version: the first with Lord Menuhin conducting, then the premiere of an original manuscript arrangement for violin, string quartet and piano. Later, another version with orchestra with 14 original different bars never heard before, with the Royal Liverpool Philharmonic and Vernon Handley, and lately for a film with the Karski String Quartet.
Highlights of Graffin’s 25/26 season included the release of his latest recording (Lalo and Bruch with the Royal Scottish National Orchestra and Lithuanian National Philharmonic, conducted by Robertas Servenikas), concerts at the Nagareyama and Schiermonnikoog festivals, recitals in Brussels and Liège, and two new studio projects (a double album featuring the chamber music of Arnold Schoenberg and friends, and a recital disc of music by Les Six). Graffin looks forward to engagements in 26/27 and beyond including extensive Beethoven Anniversary chamber recital tours throughout the UK, concerto performances with the Mid-Atlantic Symphony in the US, and a major new recording of British concerto repertoire.​
Philippe Graffin plays on a violin attributed to Domenico Busano, Venice, 1730. He teaches at the Conservatoire de Paris (CNSM) and at Brussels's Royal Conservatory (KCB).

Simon Callaghan

Simon Callaghan performs internationally as a soloist and chamber musician, in parallel with a highly successful career as a recording artist. He appears regularly in the UK’s major concert halls, and on tours to Asia, North America and Europe. Callaghan’s recent release of Bennett Concertos with the Royal Northern Sinfonia and Martin Yates was Gramophone Editors’ Choice, and received critical acclaim, notably from Presto Music: “his technique is seamless in its command, but always in service to the music so that the fireworks are integral to the musical communication rather than being the focus. It is his commitment to the substance of whatever he is playing that makes Callaghan a persuasive advocate of a wealth of under-appreciated repertoire”.

As concerto soloist, Simon Callaghan has recently collaborated with the Ulster Orchestra, BBC National Orchestra of Wales, Royal Northern Sinfonia and the Sinfonieorchester St Gallen, with conductors including Jac van Steen, Martin Yates, Modestas Pitrėnas and Martyn Brabbins. Recital partners have included Sheku Kanneh-Mason, Jack Liebeck, Coco Tomita, Nicholas Daniel, Julian Bliss, Adrian Brendel, Ben Goldscheider, Feng Ning, Raphael Wallfisch, Ruth Rogers, Samuel West, Prunella Scales and Timothy West. He is also a founding member of the London Piano Quartet, joining colleagues from the renowned Piatti Quartet to showcase the repertoire for piano quartet with a particular focus on revivifying works that have fallen into obscurity.

Simon Callaghan’s distinguished and eclectic discography includes recordings for Hyperion, Somm, Nimbus and Lyrita. He has a strong profile on BBC Radio 3 and on a variety of streaming platforms, his most recent single on Apple Music with Coco Tomita surpassed 1 million streams in its first month. He is a strong social media enthusiast, using it as a form of promotion for classical music in general but seeing it as a particular tool in his advocacy of the rare and unexplored.

Callaghan’s broad repertoire encompasses the standard works of the 19th and 20th centuries and increasingly concentrates on much that is little known, examples including Bernhard Scholz, Josef Rheinberger and Carl Reinecke. A cornerstone of Simon’s work is his commitment to British music, and he has an ongoing series on Lyrita, recording world premieres of British concertos with the BBC National Orchestra of Wales. Callaghan has also made first recordings of the complete piano music by Rebecca Clarke, George Dyson and William Busch. He has recorded four albums for Hyperion’s celebrated The Romantic Piano Concerto series. His first disc for Hyperion, with the BBC Scottish Symphony Orchestra and Martyn Brabbins, formed part of his PhD at the Royal Northern College of Music and was praised by BBC Radio 3’s Andrew McGregor: “I have nothing but praise for the performances… impressive pianism”.

In 2020, Simon recorded L’Histoire de Babar with actor Miriam Margolyes. The album received five stars from The Independent, reviewer Michael Church commenting that: “here, thanks to Harry Potter actor Miriam Margolyes’s artistry and Simon Callaghan’s excellent pianism, is Poulenc’s delightful musical response… It lasts just 30 minutes, but my god does it resonate.” Simon Callaghan’s reputation and experience in chamber music led to his appointment as Artistic Director at London’s celebrated Conway Hall, only the sixth incumbent since the founding of the Sunday Concerts series in 1887, and from October 2026 he is also Artistic Director of the Penkhull Festival of Music and Art in Stoke-on-Trent. He is Professor of Piano at the Royal Northern College of Music, and was elected a Steinway Artist in 2012.

Duration: 110 mins