Wednesday Classical: Beethoven Sonatas & Trio
Beethoven: Violin Sonata No. 5 in F major, Op. 24, “Spring”
1. Allegro
2. Adagio molto espressivo
3. Scherzo: Allegro molto
4. Rondo: Allegro ma non troppo
Philippe Graffin, Violin
Simon Callaghan, Piano
Beethoven: Cello Sonata No. 3 in A major, Op. 69
1. Allegro, ma non tanto
2. Scherzo: Allegro molto
3. Adagio cantabile
4. Allegro vivace
Raphael Wallfisch, Cello
Simon Callaghan, Piano
INTERVAL
Beethoven: Piano Trio No. 7 In B flat major, Op.97, “Archduke”
1. Allegro moderato
2. Scherzo: Allegro
3. Andante cantabile ma però con moto
4. Allegretto moderato
Philippe Graffin, Violin
Raphael Wallfisch, Cello
Simon Callaghan, Piano
Philippe Graffin, Violin – www.andrewstrangemusic.com/philippegraffin
Raphael Wallfisch, Cello
Raphael Wallfisch
With a discography of over 70 discs, Raphael Wallfisch is one of the most recorded classical artists in the world. A BBC survey named Wallfisch’s recording of the Dvorak Cello Concerto the best recording of the work in the past 25 years. He is one of the world’s most celebrated cellists, renowned for his curiosity and commitment to exploring and broadening the full range of repertoire for the instrument, and drawing on a rich musical heritage.
Since winning the Cassadó International Competition in Florence at the age of 24, Wallfisch has enjoyed a global career, much loved in his home country where he has forged close relationships with orchestras including the London Symphony, London Philharmonic, Philharmonia, BBC Symphony, BBC Philharmonic, Hallé, BBC NOW, Royal Scottish National, BBC Scottish and Royal Liverpool Philharmonic; and respected around the world, working throughout Europe with the Leipzig Gewandhaus, Konzerthausorchester Berlin, WDR Symphony, RAI Torino, Maggio Musicale Fiorentino, Gulbenkian, Bergen Philharmonic, Gothenburg Symphony, Lahti Symphony and Budapest Festival orchestras, and further afield with the Los Angeles Philharmonic, Minnesota Orchestra, Sydney Symphony, New Zealand Symphony and Singapore Symphony.
Summer and Autumn 2025 saw Raphael Wallfisch giving performances of the Bliss Concerto with the BBC Concert Orchestra and the English Chamber Orchestra (at the English Music Festival and Snape Maltings Concert Hall), making a studio recording with the BBC Scottish Symphony Orchestra (John McCabe Cello Concerto), and concerts at the Spitalfields Music Festival and Wigmore Hall. Highlights of 2026 and beyond include performances at the Southbank Centre’s Purcell Room and with Orchestra of St John’s and NFM Wroclaw Philharmonic, a Beethoven 250th Anniversary recital and chamber music UK tour, and a series of special new commission projects in celebration of his upcoming 75th Birthday. Wallfisch’s latest releases – of the Henriëtte Bosmans Cello Concertos and Poème, and John McCabe’s Cello Concerto – received great critical acclaim.
Philippe Graffin
Simon Callaghan performs internationally as a soloist and chamber musician, in parallel with a highly successful career as a recording artist. He appears regularly in the UK’s major concert halls, and on tours to Asia, North America and Europe. Callaghan’s recent release of Bennett Concertos with the Royal Northern Sinfonia and Martin Yates was Gramophone Editors’ Choice, and received critical acclaim, notably from Presto Music: “his technique is seamless in its command, but always in service to the music so that the fireworks are integral to the musical communication rather than being the focus. It is his commitment to the substance of whatever he is playing that makes Callaghan a persuasive advocate of a wealth of under-appreciated repertoire”.
As concerto soloist, Simon Callaghan has recently collaborated with the Ulster Orchestra, BBC National Orchestra of Wales, Royal Northern Sinfonia and the Sinfonieorchester St Gallen, with conductors including Jac van Steen, Martin Yates, Modestas Pitrėnas and Martyn Brabbins. Recital partners have included Sheku Kanneh-Mason, Jack Liebeck, Coco Tomita, Nicholas Daniel, Julian Bliss, Adrian Brendel, Ben Goldscheider, Feng Ning, Raphael Wallfisch, Ruth Rogers, Samuel West, Prunella Scales and Timothy West. He is also a founding member of the London Piano Quartet, joining colleagues from the renowned Piatti Quartet to showcase the repertoire for piano quartet with a particular focus on revivifying works that have fallen into obscurity.
Simon Callaghan’s distinguished and eclectic discography includes recordings for Hyperion, Somm, Nimbus and Lyrita. He has a strong profile on BBC Radio 3 and on a variety of streaming platforms, his most recent single on Apple Music with Coco Tomita surpassed 1 million streams in its first month. He is a strong social media enthusiast, using it as a form of promotion for classical music in general but seeing it as a particular tool in his advocacy of the rare and unexplored.
Callaghan’s broad repertoire encompasses the standard works of the 19th and 20th centuries and increasingly concentrates on much that is little known, examples including Bernhard Scholz, Josef Rheinberger and Carl Reinecke. A cornerstone of Simon’s work is his commitment to British music, and he has an ongoing series on Lyrita, recording world premieres of British concertos with the BBC National Orchestra of Wales. Callaghan has also made first recordings of the complete piano music by Rebecca Clarke, George Dyson and William Busch. He has recorded four albums for Hyperion’s celebrated The Romantic Piano Concerto series. His first disc for Hyperion, with the BBC Scottish Symphony Orchestra and Martyn Brabbins, formed part of his PhD at the Royal Northern College of Music and was praised by BBC Radio 3’s Andrew McGregor: “I have nothing but praise for the performances… impressive pianism”.
In 2020, Simon recorded L’Histoire de Babar with actor Miriam Margolyes. The album received five stars from The Independent, reviewer Michael Church commenting that: “here, thanks to Harry Potter actor Miriam Margolyes’s artistry and Simon Callaghan’s excellent pianism, is Poulenc’s delightful musical response… It lasts just 30 minutes, but my god does it resonate.” Simon Callaghan’s reputation and experience in chamber music led to his appointment as Artistic Director at London’s celebrated Conway Hall, only the sixth incumbent since the founding of the Sunday Concerts series in 1887, and from October 2026 he is also Artistic Director of the Penkhull Festival of Music and Art in Stoke-on-Trent. He is Professor of Piano at the Royal Northern College of Music, and was elected a Steinway Artist in 2012.

Duration: 110 mins
